Amid all the hoopla circling its Washington backdrop, Friday’s event must be all about firing the starting gun on football’s biggest showWhen the sculptor Joel Shapiro created Blue, the piece that stands around the back of the John F Kennedy Center for the Performing Arts, looking out over the Potomac River in Washington, he wanted to tap into a number of elements. The giant matchstick figure denotes movement and energy, risk and possibility. As Shapiro himself has said, it is supposed to “reconfigure depending on how you look at it”.It has the perfect home at the Kennedy Center, the vast cultural hub for ballet and opera, stage productions and concerts. And it resonates on a new level now as the venue prepares to host Friday’s World Cup draw, at which the competing nations at next summer’s extravaganza in the United States, Canada and Mexico will discover their group opponents and knockout round pathways. Because from one angle it is plain that Blue is executing a raking pass. From an